06 The Other Side Of Electronics

Matt Whittington - The Theatre and Orchestral angle

Time Line

02.17 - How Matt got into electronics

11.20 - Matt's Wind In The Willows setup

17.39 - How Matt uses triggers on the show

26.45 - The West End, electronics and the silent pit

31.50 - Why shows don't use the latest gear

37.27 - Click tracks and when they go wrong

43.35 - The one thing you need to know...

47.10 - The biggest problem with electronic drums

56.07 - Latency

58.12 - Why orchestral musicians are more flexible

1.02.56 - Why backing tracks don't help drummers

 Matt's set up for Wind In The Willows

Matt's set up for Wind In The Willows